How you can use this image
This image is available to be shared and re-used under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives licence (CC BY-NC-ND).
You can reproduce this image for non-commercial purposes and you are not able to change or modify it in any way.
Wherever you reproduce the image you must attribute the original creators (acknowledge the original artist(s) and the person/organisation that took the photograph of the work) and any other rights holders.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find more images in the public domain or with a Creative Commons licence available.Download
Buy a print or image licence
If you like this artwork you can support the collection by purchasing a reproduction as a framed OR unframed art print. We offer a selection of professionally made frames that will make your purchase look great in your home, office or other preferred setting.
Need a digital version for your site or publication? You can purchase a digital licence from Art UK and download an electronic copy of this reproduction.
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
This painting is an anecdotal or 'semi-historical' history painting: it does not show an important historical event, but it does show recognisable historical figures. The artist spent some weeks in 1852 making studies from the portraits of Charles I and his wife and children by van Dyck at Windsor Castle to ensure that this is so. The picture shows the royal family enjoying a river trip near Hampton Court during the early years of the reign of Charles I, before his conflict with parliament became acute. The King stands and the Queen sits with her four children on either side of her. Not even the severest critics of the King denied that he was an exemplary husband and father and that his family life was beyond reproach. The first version of this composition was exhibited at the Royal Academy in 1853, when it received an enthusiastic review in the 'Art Journal', who wrote of the picture: 'the King regarding with evident pleasure the amusement which the children derive from feeding a pair of swans with pieces of cake…This is a combination of surpassing power and sweetness, in colour, delicacy of skin texture, and expression.
oil on canvas
H 99.5 x W 153.5 cm
acquired as part of the Wrigley Gift