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Giovanni Battista Cipriani

1727–1785

(b Florence, 1727; d London, 14 Dec. 1785). Florentine decorative painter and designer, active mainly in England. In 1755 he was brought to London by the architect Sir William Chambers and the sculptor Joseph Wilton, who had met him in Rome.

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Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)

Showing 107 artworks

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Panel from the Robert Adam Library Representing Religion and the Arts 1770 Giovanni Battista Cipriani (1727–1785)

Panel from the Robert Adam Library Representing Religion and the Arts 1770 English Heritage, Audley End House
Panel from the Robert Adam Library Representing Science and Learning 1770 Giovanni Battista Cipriani (1727–1785)

Panel from the Robert Adam Library Representing Science and Learning 1770 English Heritage, Audley End House
Allegorical Personification of Peace Giovanni Battista Cipriani (1727–1785)

Allegorical Personification of Peace Weston Park
Panel from the Robert Adam Library at Audley End Representing Air 1770 Giovanni Battista Cipriani (1727–1785)

Panel from the Robert Adam Library at Audley End Representing Air 1770 Saffron Walden Museum
Panel from the Robert Adam Library at Audley End Representing Water 1770 Giovanni Battista Cipriani (1727–1785)

Panel from the Robert Adam Library at Audley End Representing Water 1770 Saffron Walden Museum
Panel from the Robert Adam Library at Audley End Representing Earth 1770 Giovanni Battista Cipriani (1727–1785)

Panel from the Robert Adam Library at Audley End Representing Earth 1770 Saffron Walden Museum
The Annunciation 1769 Giovanni Battista Cipriani (1727–1785)

The Annunciation 1769 Clare College, University of Cambridge
Design for the Headpiece of the Royal Academy Diploma 1769 Giovanni Battista Cipriani (1727–1785)

Design for the Headpiece of the Royal Academy Diploma 1769 Royal Academy of Arts
Aesculapius Holding a Staff Encircled by a Snake Giovanni Battista Cipriani (1727–1785)

Aesculapius Holding a Staff Encircled by a Snake Wellcome Collection
Design for Frontispiece to Handel's Sonatas mid-18th C–late 18th C Giovanni Battista Cipriani (1727–1785)

Design for Frontispiece to Handel's Sonatas mid-18th C–late 18th C Brampton Museum
Two Putti Giovanni Battista Cipriani (1727–1785)

Two Putti Falmouth Art Gallery
Allegorical Personification of Plenty Giovanni Battista Cipriani (1727–1785)

Allegorical Personification of Plenty Weston Park
Roman Emperor Holding the Allegory of Fame on His Palm 1756–1785 Giovanni Battista Cipriani (1727–1785)

Roman Emperor Holding the Allegory of Fame on His Palm 1756–1785 The Courtauld, London (Samuel Courtauld Trust)
Panel from the Robert Adam Library at Audley End Representing Fire 1770 Giovanni Battista Cipriani (1727–1785)

Panel from the Robert Adam Library at Audley End Representing Fire 1770 Saffron Walden Museum
The Departure of Hector c.1785–1786 Giovanni Battista Cipriani (1727–1785)

The Departure of Hector c.1785–1786 Brampton Museum
Seated Classical Female Figure Giovanni Battista Cipriani (1727–1785) and Giovanni Battista Cipriani (1727–1785)

Seated Classical Female Figure Ulster Museum
Native family cooking (No. 1) Giovanni Battista Cipriani (1727–1785)

Native family cooking (No. 1) Perth Art Gallery (managed by Culture Perth and Kinross)
Apollo and the Hours 1775–1800 Conrad Martin Metz (1749–1827) and Giovanni Battista Cipriani (1727–1785)

Apollo and the Hours 1775–1800 The Fitzwilliam Museum
Masqued Ball New Club Soho Feby. XXIV. MDCCLXXV 1775 Francesco Bartolozzi (1727/1728–1815) and Giovanni Battista Cipriani (1727–1785)

Masqued Ball New Club Soho Feby. XXIV. MDCCLXXV 1775 The Fitzwilliam Museum
Perseus cautiously relating to Andromeda the transforming power of Medusa's head 1789 Francesco Bartolozzi (1727/1728–1815) and Giovanni Battista Cipriani (1727–1785)

Perseus cautiously relating to Andromeda the transforming power of Medusa's head 1789 The Fitzwilliam Museum