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Notes
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Technical analysis shows us that there was underdrawing for the face and neck, probably indicating roughly where the head was to be. The final positions of the face, hands and book had all been fixed before the artist began to paint; few changes were made at the painting stage. The delicacy of detail and the skill of handling, particularly noticeable in the wet-in-wet passages, is typical of Memling.
Title
A Young Man at Prayer
Date
mid 1470s
Medium
Oil on oak
Measurements
H 39 x W 25.4 cm
Accession number
NG2594
Acquisition method
bequeathed by George Salting, 1910
Work type
Painting