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Notes
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The Folies-Bergère was Paris’s first music hall. A magazine described its atmosphere of ‘unmixed joy’ where everyone spoke ‘the language of pleasure’. It was notorious for the access it gave to prostitutes. The barmaids, according to the poet Maupassant, were ‘vendors of drink and of love’.
Manet’s picture is unsettling. An acrobat’s feet, clad in green boots, dangle in the air. The quickly sketched crowds convey the bustle of the Folies-Bergères. In contrast, the barmaid is detached and marooned behind her bar, with her reflection displaced to the right. She stares at the viewer, but the mirror shows her facing a customer.
The Courtauld, London (Samuel Courtauld Trust)
London
Title
A Bar at the Folies-Bergère
Date
1882
Medium
oil on canvas
Measurements
H 96 x W 130 cm
Accession number
P.1934.SC.234
Acquisition method
gift from Samuel Courtauld, 1934
Work type
Painting
The Courtauld, London (Samuel Courtauld Trust)
Somerset House, Strand, London, Greater London WC2R 0RN England
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