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Nicholson returned to painting Cubist-inspired still lifes in the 1940s. In this work the flattened planar representation of the table-top objects contrasts with the textural ground on which they are depicted. This creates a complex spatial structure within the image. Pared-back underpainting against flat areas of colour became a distinguishing feature of Nicholson's work. This developed out of his practice of reworking earlier paintings.
oil & pencil on canvas
H 56 x W 69 cm
gift from Margaret Gardiner, 1979
1. 'Ben Nicholson 1932-40'. 2. 'cat no 6'. 3. 'Nicholson / Dunluce / Trelyon / St Ives'. 4. exhibition label for Tate (Pier Gallery Collection 20th Sept-29th Oct 1978). 5. gallery label for The Lefevre Galleries, London. 6. exhibition label (artist name and title). 7. exhibition label for Yamato, Japan. 8. exhibition label for Aberdeen Art Gallery and Museums (Pier Gallery Collection 1978).