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French painter, born in Montigny-lès-Metz. After the Second World War he settled in Paris, where he studied at the École des *Beaux-Arts, 1947–53, and built up a successful career as an abstract painter, culminating in a retrospective at the Musée d'Art Moderne de la Ville de Paris in 1971. However, he then changed direction dramatically and began producing bleak and disturbing figurative works, typically showing aged, decrepit nudes—men and women—in bare, cell-like rooms. Their odd proportions have much to do with the disquieting animal-like quality. Rustin especially tends to paint the nostrils too high, leaving too much distance between nose and mouth. They are sometimes compared with Francis *Bacon's paintings, but Rustin's vision—though just as despairing—is much quieter.

Text source: A Dictionary of Modern and Contemporary Art (Oxford University Press)


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