German sculptor, printmaker, and writer, a major figure of Expressionism. Until he reached his thirties Barlach was as much a ceramicist as a sculptor, working in a fairly derivative Art Nouveau style, but a turning point in his career came in 1906, when he visited Russia. The vast empty landscape and the sturdy Russian peasants made a great impact on him; these hardworking people, with their simple faith, symbolized for him ‘the human condition in its nakedness between Heaven and Earth’ and helped inspire him to create a massively powerful figure style. He was influenced also by medieval German carving, with which he recognized both a spiritual and a technical affinity—he preferred to carve in heavy, close-grained woods, but even when his figures were modelled in clay and cast in bronze they retain the broad planes and sharp edges typical of woodcarving.
After the First World War Barlach was much honoured, but when the Nazis came to power in 1933 he was declared a degenerate artist and his war memorials at Güstrow, Kiel, and Magdeburg were dismantled. The memorial in Güstrow Cathedral was restored after the Second World War and a copy made for the Antoniterkirche in Cologne; it takes the form of a hovering bronze angel and is considered by many to be Barlach's most deeply spiritual work. His studio in Güstrow is now a museum of his work and there are also museums dedicated to him in Hamburg and Ratzeburg.
