How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
To the King's left is his second son, Frederick, Duke of York, Commander-in-Chief of the Army. Beside him is Lieutenant-General David Dundas, Quartermaster-General. On the extreme right is Major-General Philip Goldsworthy and in the foreground stands General Sir William Fawcett. This painting is a slightly smaller copy of the lost canvas by Sir William Beechey, which was commissioned by the King in 1798 but was destroyed in the fire at Windsor Castle in 1992. There are other versions of this picture without the Prince of Wales and it is clear that he was not included in preliminary sketches. There is even a story that the figure of the Prince was added later at the request of Queen Charlotte which caused the irate King to order the painting to be destroyed.
Title
George III and the Prince of Wales Reviewing the 3rd (or The Prince Of Wales's) Regiment of Dragoon Guards and the 10th (or The Prince Of Wales's Own) Regiment of (Light) Dragoons, c.1797
Date
c.1797–1798
Medium
oil on canvas
Measurements
H 282.5 x W 344.7 cm
Accession number
NAM. 1971-05-30
Acquisition method
gift from the Marquess of Anglesey, 1971
Work type
Painting