11 November 1947 (Mousehole)

© Angela Verren Taunt. All rights reserved, DACS 2024. Image credit: British Council Collection

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Ben Nicholson's painting of a pretty, quiet harbour bay in weathered hues of gold, magnolia and grey, is disrupted by large abstract shapes that seem to float and hover in the plane. The bay is the tiny harbour of Mousehole, pronounced 'Mowzel', which lies on the coast of Cornwall; and those flat shapes included on the right-hand side of the painting form elements of a still life. This part of the picture is very similar to '1945 (still life)' (1945), a sombre grouping of cups with elegant looping handles, a bottle and perhaps some plates, which recalls the Cubist arrangement of perspectives in the style of Georges Braque or Pablo Picasso. Whilst marrying together two of Nicholson's preferred genres of painting – still life and landscape – additionally, one can see in this painting echoes of Nicholson's staunchly Modernist abstractions, such as the spartan, monochrome 'White Reliefs' of squares and circles that were begun in the 1930s.

British Council Collection

London

Title

11 November 1947 (Mousehole)

Date

1947

Medium

oil on canvas mounted on wood

Measurements

H 46.5 x W 58.5 cm

Accession number

P78

Acquisition method

purchased from Alex Reid & Lefevre, 1948

Work type

Painting

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British Council Collection

British Council, 1 Redman Place, London, Greater London E20 1JQ England

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