1932 (Talc de Coty)

© Angela Verren Taunt. All rights reserved, DACS 2024. Image credit: The Pier Arts Centre

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Notes

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This still life depicts cups and a cosmetics bottle on a tabletop. The overlapping areas of flat colour and pencil lines create indeterminate spatial relationships between the objects. The heavily abraded paint surface is typical of Nicholson at this time.

This painting was made after Nicholson and Hepworth visited Dieppe at the beginning of their relationship and the bottle of Talc de Coty suggests an intimate interior as opposed to a café still life.

Nicholson's Cubist approach reveals his interest in Picasso and Braque. Nicholson regularly visited Europe in the 1930s. He considered moving to Paris in 1932 on the advice of the dealer Henri Kahnweiler. He was invited to join Abstraction-Creation in 1933 by Helion, confirming his growing reputation within the avant-garde.

The Pier Arts Centre

Stromness

Title

1932 (Talc de Coty)

Date

1932

Medium

oil on board

Measurements

H 25.5 x W 31.5 cm

Accession number

PAC 39

Acquisition method

gift from Margaret Gardiner, 1979

Work type

Painting

Inscription description

1. 'B' (circled). 2. 'Ben Nicholson 1932'. 3. 'coll. Margaret Gardiner / 35 Downshire Hill / NW3'. 4. exhibition label for Scottish National Gallery of Modern Art (Out of Place: Works from the Pier Arts Centre collection). 5. exhibition label for Tate (Pier Gallery Collection 20th Sept-29th Oct 1978). 6. exhibition label for Aberdeen Art Gallery and Museums (Pier Gallery Collection). 7. exhibition label (artist name and title).

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The Pier Arts Centre

Victoria Street, Stromness, Orkney Islands KW16 3AA Scotland

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