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Peleus and Thetis, who threw a golden apple among the guests, inscribed ‘to the fairest’. Venus, Juno, and Minerva all claimed the prize. Jupiter decreed that the shepherd Paris, son of King Priam of Troy, should settle the dispute. When Venus promised Paris the love of the most beautiful woman on earth, he decided in her favour. Unlike other representations of the myth (cf. Van Dyck P85), Boucher’s typically ignores the moral implications of the tale in order to concentrate on portraying three beautiful naked women from different angles. All three pictures are fine examples of Boucher’s mythological canvases of the 1750s, as usual focussing on the female nude.

The Wallace Collection

London

Title

The Judgment of Paris

Date

1754

Medium

oil on canvas

Measurements

H 164 x W 76.6 cm

Accession number

P444

Acquisition method

acquired by Richard Seymour-Conway, 4th Marquess of Hertford, 1851; bequeathed to the nation by Lady Wallace, 1897

Work type

Painting

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The Wallace Collection

Hertford House, Manchester Square, London, Greater London W1U 3BN England

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